A Picture Is Worth A Thousand Words: Vassilis Papatsarouchas

When, back in January, I had the pleasure to supervise the set up of the 1st Children's and Young Adult's Bookfair in Athens, I was privileged to meet, amongst other talented people, one of Greece's most prominent illustrators: Vassilis Papatsarouchas.

From Peter & The Wolf

Vassilis Papatsarouchas was born in 1975 in Athens (in Perissos). He studied Painting and Graphic Arts at the Athen's School Of Fine Arts. He has participated in many collective exhibitions with paintings, constructions and video art. Up to now he has illustrated almost forty books, three of which were also written by him. Amongst his awards, he received in 2004 the State Award of Illustration for the book "Little Red Riding Hood", an adaptation by Argyro Kokoreli, in the same year he also got the 1st award from the Greek division of IBBY for illustrating "Chrysoula" by Lila Patroklou.

From Peter & The Wolf

This year, he is nominated for the Andersen Award for Illustration. The Andersen Awards are international awards given for children's literature and are very prestigious. Vassilis' talent is so obvious, it surely was a matter of time before his nomination for such an award was announced.

From The Wizard Of Oz

His latest work is for the"The Twelve Little Red Riding Hoods and The Clockwork Wolf" book, an ingenious sequel to the original childhood tale by Christos Bouliotis. The superb, surreal illustrations of Vassilis Papatsarouchas add to the quirky storyline, making the world of the twelve twin sisters seem more real to the book's readers, transporting them into a world full of fantasy and imagination.

From The Twelve Little Red Riding Hoods and The Clockwork Wolf

His style is completely original. Idiosyncratic and rule-breaking, he combines high-brow seriousness with childish fun, all in a modern context. His use of colour, combined with minimal lines and intense perspectives, contributes in making the storyline stand out.

From The Cat Leopold At The Art School

His illustrations have graced editions of "The Wizard Of Oz", "Peter And The Wolf", "The Clown's Magical Umbrella" (also written by him), "The Notebook Of Coincidences", "Pinocchio In Athens", "The Mystery of Anomvrida", "Don Quixote", "One Love, Seven Colours And A Wolf" (collection), "Chrysoula", "Mitsogatos in the Open Market", "The Cat Leopold at the Art School", "The Ghost Of Prince Gelastroni", "And Tell Me About Your Toys", "A Forest For Thirteen" (collection), "The Sleeping Button-y" (written by him), "You'll See, You'll Like It", "The Clown's Magic Umbrella" (written by him), "Dorilenia", "The Him", "Stories That Nobody Knows", "The Show Starts... Now", "Schooner Corallia", "The Tale Is...", "The Abduction of Princess Hammock", "Six Small Big Tales" (collection), "Parsifal", "No To The Mutated Bad Wolf", "Pizza Strawberry", "The Boy That Drew Goblins", "Bliah", "Hop O' My Thumb", "Pinocchio And the Discobolus Statue", "Pinocchio Torch-bearer", "Jack And The Bean-Stalk", "Games With The Wolf", "Panic in The Geometry Land", "The Coincidence Notebook", and others.

All photos were taken by me during the Bookfair last January and they do not do any justice to Vassilis' talent. I promise to make up for this by scanning some images off his books and putting them up in a future post.

UPDATE: Unfortunately Vassilis did not win the Andersen Award this year, but I am sure he will in the future!

1st Children's and Young Adults' Bookfair in Athens - the report

As promised, here is a post about the 1st Children's and Young Adults' Bookfair at the Helexpo Palace in Athens. We had to set up the stands (almost half the show actually) in only two days, facing some difficulties (missing stuff, crews not working as they should), but having great collaborators and co-workers, the impossible took place and the show opened on time and looking great!

Above, you can see the stand the National Book Centre (EKEBI). It was placed strategically at the entrance of the exhibition (which took the space of a whole floor of the venue), welcoming the visitors with a nice yellow paper bag filled with goodies.
Then it was on to the stand of The Hellenic Literary and Historical Archive (ELIA), which housed a small sample of their huge collection of old children's books, toys and accessories - oh the memories they brought up!


Of course I'm only referring to other people's memories, I'm much too young to remember all this stuff (not!)


Exactly opposite the previous stand, was a space dedicated to the two Greek nominees for the Andersen Awards 2008, Voula Mastori (for writing) and Vassilis Papatsarouchas (for illustration). I had the honour of meeting Vassilis, he's an extraordinarily talented young man and merits his own post (coming soon).


While the original drawings of Vassilis Papatsarouhas were exhibited in this space, Voula Mastori was present to read her stories to lots of children gathering to listen to her. Hence the colourful pillows scattered on the floor.

Now I swear this was designed before Kylie released her In My Arms video clip!

The Netherlands were the honoured country. That meant only one thing: using lots of orange for the stand! And of course we could not have missed tulips! We had many of them, both real (100 orange flowers flown in from Holland especially for the show) and also on a big poster on a wall in the middle of the stand, near the green patch:


To celebrate, we had some "Dutch Treats", as the Dutch called them: original drawings from the most famous Dutch illustrators of children's books. This small exhibition within an exhibition was a feast for the eyes both of children and adults, with the works of Dick Bruna taking centre-stage.

The Dick Bruna drawings - the bunny is Miffy, his most famous character.

The Dutch Illustrators ("Dutch Treats") exhibition

There were of course more spaces designed especially for children (it's a kid-oriented show after all!): an amphitheatre for presentations of books, also the Children's Corner, which was a place to play and read and listen to people reading books. It was decorated with books hanging from the ceiling (remember the fish?) and fantastic hats with books fixed on them!


This space incorporated a smaller amphitheatre and also had a fun poll: why do children read books? Two separate polling stations were prepared, one for children and one for kids, who voted by dropping a small orange (what else?) ball inside the appropriate tube. Of course children saw this as a game (and why not?) so the results were a bit, er, "fixed", by children throwing the balls like playing basketball, over and over again, into the tubes! Great fun!


Right next to this was the space dedicated to Museum of Greek Children's Art, with lots of space for workshops for the kids. Of course they loved to doodle with markers, crayons and coloured pencils on paper or other materials, even the tables themselves!


My friend Enteka presented his new book here, but more for him on a special post (soon!). Right next to it, there was a room dedicated, tongue in cheek, to an imaginary writer: H.P. Lagavulin, thought to be one of the best knows writers of children's fiction (a total fiction in itself of course). The entrance to this teen-corner was a circle!


Many events took place in here too, one of the first having a great lady telling a story to the kids, while making special sound effects using water poured from a carafe to five glasses on top of a drum. The children listened to her transfixed! The whole room was decorated with thirteen illustrations (the years supposedly passed since his death), made in honour of the non-existent writer H.P. Lagavulin by seven Greek illustrators, while seven Greek writers wrote in his memory.

Another space was designed by the illustrator Antonis Aspromourgos, consisting of four rooms, one after the other, each showcasing a different art through books: theater, music, painting, sculpture. Each had a different colour and soundtrack, giving children a unique experience.


Many of the biggest Greek publishing houses had their own stands in the exhibition, also organizing events and activities, one of them being the Wandering Park: children carrying potted plants and banners, protesting about greener cities, in an effort to make the children more sensitive to environmental problems.


There were happy children faces (and parents too!) everywhere you looked! I saw lot of visitors both times I was at the show during its working hours, unofficial numbers are 100,000 visitors in four days, which is an amazing feat! It is definitely a very optimistic sign about children (and their parents) in Greece! I also had a great time myself, meeting very talented and interesting people and also seeing lots of friends visiting the show - let's do it again next year!