White Island Works rings - art becomes wearable

Konstantinos Papamichalopoulos and Artemis Lydl are a creative couple that I have come to known for a few years now and happy to call friends. They are extraordinary people, smart and artistic, always ready to engage into thoughtful conversation. Constantinos is an accomplished artist that not only paints but also illustrates (has been published numerous times in Greek newspapers and magazines) and draws comics. They both create books , apps, videogames and art. Their most recent venture (apart from making their family bigger) is their extraordinary biomorphic black rings.

The design of the rings derives from Konstantinos' artwork, namely the White Island Works series. They translated fragments of it into small pieces, set as precious gems on rings, ready to be worn by everyone.

They come in various shapes and sizes and new designs are added to the mix. I love the graphic feel of the artwork and the layered edges.

The detail of design and quality of construction is amazing. Even the box they come in looks very fetching. 

You can buy them (and other stuff from the series as well) from their Etsy shop. The prices are amazing. So what are you waiting for?

Container - art, activities, space, now opening in Thessaloniki

Container is a new art space at Nikiforou Foka Str. 8 in downtown Thessaloniki. The opening will take place on the 23rd of March with a group exhibition in which contemporary artists will participate with paintings, sculpture, instalaltions, performances etc. This show will last until the 10th of May.

Apart from an exhibition space, Container's ambition is to develop as an active nucleus in the art world and as a point of reference for art events, establishing a more direct contact and communication between artists and the public, with special thematic evenings and hommages organized in collaboration with other entities. Their interest is also focused into other art forms like video, theatre, music, dance, photography, publications etc. They intend to present them in every given opportunity because "art in every form serves the same agony". They are open to suggestions and ideas and wish that Container becomes a space for anyone interested to communicate with the public through art.

The participating artists are: Christos Venetis, Nikos Evangelopoulos, Katerina Iordanidou, Nikos Kokkalis, Vassiliki Koskiniotou, Valentino Marengo, Evangelia Bantiaka, Vassilis Botoulas, Dimitris Notaras, Theofanis Nouskas, Iordanis Roumeliotis, Eri Skyrgianni, Anneta Spanoudaki, Iordanis Stylidis, Pavlos Hampidis.

Mirό of Majorca

The exhibition Mirό of Majorca was hosted from the 9th of June 2009 till the 7th of February 2010 at the Teloglion Foundation of Art in Thessaloniki, Greece. It is now moving to Athens, where it will be exhibited at the Hellenic Cosmos "Theatron", Ismini Hall, from today, February 22nd, till the 30th of May 2010.

I went to see this show while it was still here in Thessaloniki. I was surprised by the bad design of the exhibition itself. I did not expect to see, in 2010, in a renowned Art Foundation of our country, such a significant artist exhibited in such an elementary way.His works were simply put on display grouped in periods, without text to accompany them showing what each period meant to the artist and connecting it to contemporary art and history.

The signs with the information for each work of art were placed on the ground, making every visitor taller than 1,50m (i.e. most of us) struggle to read it. The fact that they were made of transparent plexiglass did not help of course.

The lighting was bad, non descript. The sculptures suffered particularly of this, arranged in the middle of the biggest room and simply spot lighted without any thought of how the shadows would play both on the sculpture and around it.

A series of works were about sketches and drawings the artist made about various large scale works, either paintings or sculpture, prominently displayed in various parts of the world, most of them orders by municipalities, countries, rich individuals, companies. What struck me is that not a single photograph of the finished art was displayed, for any of the above.

There was a room dedicated to the work Miro did inspired by the theatre play Roi Yby. They had a single opportunity to make a very theatrical room to inspire and guide people to why he was so connected to this piece of theatre. They missed. The show also missed how his art influenced and came to represent the national identity of Spain.

A very positive aspect of the show was the exhibition of special copies of some of the paintings made for blind people - I had never seen that in a major show in Greece and was pleasantly surprised. And another interesting set up was the exhibition of some artefacts, small furniture and stuff from his studio, on a stage with a panoramic photo of the actual place as a background - but then again, it remained a plain and simple display of objects, not engaging the visitor in any way.

The graphic design of the exhibition's brochure and posters were excellent: they were done by Rooster Design, a great and much lauded graphic design studio from Thessaloniki. The exhibition is organized by Teloglion Art Foundation in cooperation with the Pilar i Joan Miro Foundation of Majorka - all of the artwork comes from there. 

Oh Vienna!!! Day Three

One of the best days in Vienna! After finishing with work - and with the temperature firmly around zero AND snowing, I headed towards the Secession building. Of course I walked to get to it, which is something one does easily in Vienna - but get dressed well! So below are some things I saw on the way to the Secession (I did visit Stefansdom first but that merits a separate post under my Pillars Of The Earth series).

More Christmas decorations! Don't they look surreal in daylight?

This is the best deli in Vienna: Meinl Am Graben.

The building next to Meinl looks extraordinary too - notice those statues!

Gorgeous entrance!
.
Gucci anyone?


Chanel ma belle! I dare anyone to go out in Vienna with those shorts!


The Adolf Loos building in daylight.


Michaelertor: Hofburg main entrance

Michaelertor - Hercules statues


Entrance to Imperial Apartments - that's Empress Sissy's silhouette


In Der Burg courtyard - monument to emperor Franz



The back of the Burgkapelle (13th century) in the Sweizerhof (oldest part of the Hofburg, 13th century)


Josefsplatz with the monument of Joseph II, Holy Roman Emperor (1795-1806, by sculptor Franz Anton Zauner). At the back is the Prunksaal, part of the Austrian National Library

The Spanish Riding School entrance.


Twin museums(yes it is snow): The Naturhistorisches Museum opposite of...


...the Kunsthistorisches Museum!


Horse statue at Maria-Theresien Platz


Maria-Theresien statue


The Museumsquartier, which includes...

...the white Leopold (by architects Ortner & Ortner)...


...and the black monolithic MUMOK made of lava blocks(also by architects Ortner & Ortner).
A lovely Renaissance style building.


A brick-clad building, used as an auditorium for the University. Check the metallic details.

Secession then! This exhibition space, designed by architect and designer Joseph M. Olbrich to house artworks and exhibitions from the Secession artists in Vienna: Klimt, Koloman Moser, Josef Hoffman and many more.The building is a far cry from the rest of the Ringstrasse, simple, small and elegant, with only a golden leaf dome on the top a sign of restrained extravagance (if one can say that). one of the reasons it is called "golden cabbage" by some locals.


The entrance is impressive, with ivy leaves designed around it and golden details - I shivered thinking about the artists that had crossed this very threshold to enter. I had come mainly to see the Beethoven frieze, one of the biggest and most impressive works of Gustaf Klimt, which is now permanently displayed here. No photos were allowed, so I will post below some taken from the official website.

First wall of the frieze - the Golden Knight (Armoured Strength with Ambition and Sympathy)

Second wall: The Hostile Forces

Third wall - part one: Poetry

Third wall part two: the Arts, Choir of Angels and Embracing Couple (Kiss of the World).

The exhibition space of the frieze - remember it was inspired by Beethoven's 9th symphony

The Beethoven Frieze was originally intended as an ephemeral work of art and, like the other decorative paintings, it was to be removed after the close of the exhibition. It was only owing to fortunate circumstances, that the frieze was not destroyed as planned: the Secession was to present the following year a major Klimt retrospective (XVIIIth exhibition, 1903), and it was decided to leave the work of art in place. After passing through a couple of owners, in 1973 the Beethoven Frieze was purchased by the Republic of Austria and restored over the course of ten years. Finally, in the course of the general renovation of the Secession in 1985, a room was created in the basement for the Beethoven Frieze. The dimensions of this room exactly correspond to the climate controlled space required for the frieze for reasons of conservation, and here the frieze can be shown separately from ongoing exhibitions. Since 1986 the wall cycle has again been made permanently accessible to the public at the Secession as a loan from the Österreichische Galerie Belvedere. It is a sight not to be missed, along with the accompanying sketches exhibited there and the history of the building in the antechamber.

Entrance of the Secession building

The building keeps seving its original purpose as an exhibition space - the one I saw there was by US artist Sharon Lockhart, called Lunch Break. Over the last 15 years she has made films and photographs that frame moments of everyday life while exploring the subtle relationships between the two mediums. Shown for the first time at the Secession, Lockhart’s latest films and accompanying photographic series describe a specific place and time: Maine’s Bath Iron Works at the start of the 21st century. Lockhart spent the last year looking at the lives of workers in the historic shipyard and each of the five projects included in the exhibition examines a different element of their everyday experience. A very interesting show indeed - especially the lunch box portraits (below) and the projected film.

Moving on, I passed in front of the famous Musikverein (above), one of the most famous concert halls of the world, seat of the Vienna Philharmonic, (with the famous New Year's Concert) ,the Wiener Symphoniker and the Radio Symphony Orchestra.

Otto Wagner is the architect most linked to Vienna: he transformed the whole city in the 19th century, with his master plan for everything: building, transportations, amenities. His Metropolitan stations, elegantly designed in Jugendstil (or Art Nouveau) are scattered in the city, some still in use (like the one below) and some turned into something else, like the Karlplatz Pavillion cafe above.

Under the Karsplatz there is a huge underground passage, where there is an amazing work of art installed, using mirrors and led numbers that give you "useless" statistical information, like for example the number π, seen below. The information that the numbers give you though may lead to interesting thoughts while one passes by (I immediately thought of Kate Bush and her π song!).

But what is the artwork? The media installation Pi by the Canadian artist Ken Lum. A team experienced in art production developed, over a period of several months, the individual details together with the artist and the architect overseeing construction on site. A group of social scientists from the SORA Institute did the groundwork for the digital programming of statistic data sets which are now permanently shown on LED displays. This process initiated in a dialogue with the internationally active artist Ken Lum (who also spends a lot of time travelling) and the curators thus requiring a trans-disciplinary communication over an extended period of time within a large, constantly growing production team. Both in this respect and on the technical level as well as in terms of the scientific work done, the media installation Pi can be seen as an extraordinary example of contemporary art production, well suited for setting standards for art in public space. Oh, and there is a club at the underground passages too, named (what else?) Club U. Walking further to reach the Untere Belvedere, I saw the Akademietheater (which now hosts part of the repertoire of the Burgtheater) from afar:


After seeing the frieze earlier in the day, I had decided to see more Klimt - I knew there was a show centered around him currently in Vienna, so I headed towards the Unteres Belvedere to see it. Schloss Belvedere is considered one of the world's finest Baroque palaces, designed by a master of the kind, Johann Lukas von Hildebrandt for Prince Uegene of Savoy, the man who masterminded the victory against the Turks in 1718, becoming a hero for Vienna. The Unteres (lower) Belvedere was built first, as a summer residence, and a long garden rivalling the Versailles connects it with the Oberes (upper) Belvedere, the main palace. Both now serve as museums, with extraordinary collections, which include works by Klimt.

Entrance of Unteres Belvedere

The Unteres Belvedere main building

Around the time of my visit, a magnificent show was under way: the recreation of the 1908 Kunstschau due to its 100th anniversary. Part of the original exhibits - which were partly presented in replicas of the former exhibition rooms and additional works by artists that were presented at the Kunstschau 1908 as well as documentary photographs, models, original plans, and a film, illustrated the details and dimensions of this extraordinary event. An architectural model made of wood demonstrated in amazing detail the location of the Kunstschau premises within their urban context. Of course the main attraction of the original show, as well as it's re-incarnation, was “Room 22” which was designed by Koloman Moser using major works by Gustav Klimt.

The recreated Klimt room.

Among other works, Gustav Klimt presented:

Fritza Riedler (1906)

Adele Bloch-Bauer I (1907)
(a black and white copy was presented as the original is in New York in a private gallery)

The Three Ages of Woman (1905)

Danaë (1907/08)

Wasserschlangen I (1904/07)

The Medezin mural
(1900/07, depicted in black and white since the original was destroyed by the Nazis - here a detail showing Health)

Judith I (1901)

and his most famous work The Kiss (1908), which was acquired for the collection now housed in the Belvedere while the exhibition was still running. I cannot describe in words the feeling that overwhelmed me when finally facing the Kiss for the first time. It is one of these rare works of art that defy any description and make you stand there humble and helpless to grasp their full extend, but at the same time pulling you inside them and help you rise to higher levels. Amazing experience indeed. I did not want to leave the room. Unfortunately no photos allowed again (and the Kiss had a guard positioned right next to it) so the photo below is not mine.


Having enjoyed both the exhibition and the walk to and from the Belvedere, I had a good walk around the downtown shops of Vienna. I had a coffe at Sacher, along with a piece of the famous Sacher torte, but did not sit at the stuffy old cafe, but at it's younger sibling, Sacher Eck: no tourists, much more modern and quiet, same excellent coffe and desserts. Shopping turned out good: sales were still on, and soon I found myself with a gorgeous pair of Hugo Boss black shoes (a steal under 100 Euros at the Humanic), a Benetton turtleneck (unfortunately not the orange one I coveted) and the most gorgeous piece of all: a plaid shirt in green and yellow at an amazing little shop called Dick And Jane. This is a relatively new clothing brand in Austria which merits its own post.

Walking past the Viennese Opera!

Some Christmas decoration left-overs...

After a quick shower and change (plaid shirt and new shoes on!) I headed towards my date with the Taylor couple and their friends Chris and Denise, for dinner at Schnitzelwirt (Neubaugasse 52) to eat, what else, schnitzel! The portions are incredible (two huge schnitzels), the cooking excellent, the place is very traditional and cozy (the narrowness of it helps I guess) and the company was great - all elements of a perfect dinner! We headed next to a lovely Turkish bar for drinks, ending the night in the best possible way.