Monday, June 06, 2011

Dimitris Petrou - Theros (or how I met one of the best Greek designers out there)

You must remember my previous post about the talented Dimitris Petrou, if not, freshen up your memory here before reading on. When I was in Athens last April, my dear Margarita (another extremely talented person who I am so lucky to have met) arranged for me to visit Dimitris in his atelier in Kolonaki, Athens and see his newest collection, Theros (means Summer in Greek) first-hand. I must say I approached the atelier with a little trepidation. Kolonaki is a very haute-bourgeois quarter and fashion people are notorious for their huge egos and condescending approach to anyone outside their cocooned world. Boy, was I in for a huge and pleasant surprise.



Dimitris welcomed me in the atelier himself. He was alone, waiting for me, and even though I was a bit late (I will  be late for my own funeral just like Liz Taylor, trust me) he welcomed me with a warm smile and seemed genuinely happy to have me there. Extremely well mannered and polite, he offered me a cup of coffee (in a vintage cup just like one my mother used to have ages ago) and we sat on one of the minimalist white sofas (in Le Corbusier style) that make up the few furniture of the atelier, matching the lovely 3D effect wallpaper on one of the walls. The whole place is painted in grey and white and decorated (sparingly) accordingly, in line with the winter collection. We talked a bit about how he wanted to change that and bring some colour in, to match the latest offerings and the theme, Theros - also his summer mood I must add. In no time we were talking like old friends (I found out he is from Northern Greece as well, Naoussa to be exact) and I felt really at home.



He had a fitting before I arrived there, with a Greek singer named Tamta for her new show opening the week after, and earlier in the day a couple of magazine editors were there for interviews and the new collection. He told me business was going well and the new clothes were greeted very positively from the Greek press and fashion people. I must remind you that his work is sur mesure - so you can find these exquisite pieces only in the atelier at 32 Kanari St, Kolonaki, Athens. 



As enjoyable as our conversation was, it was time to look at the clothes as well. Contrary to the winter collection, the summer one seems infused with colour, even though in reality he is using only three: a caramel/copper brown, a dark navy blue and a lighter blue on denim that looks really old and washed but very uniformly. His fabrics are gorgeous to feel and exquisitely cut while his idea of using a huge batch of silk scarves to make up whole items or part of clothes was brilliantly used and informed rather than dominated the collection. I got to see his incredibly textured knits up close, where he uses 3 or 4 materials knitted together in one piece that looks delicate and feels airy to touch (and wear as well). The denim he uses in this collection has a bit of stretch in it of course; he cut it into a most beautiful evening gown that must surely become one of this season's hits (see last photo of the post). As for his leather, it is soft as fresh butter and even the details made with it on some outfits are meticulously stitched and cut, adding an edge to them.



I loved the fact that again men and women's outfits are equal in the collection - Dimitris does not focus on one part more than the other, while some pieces can be worn by both men and women alike. Some details of course are mostly for the catwalk effect or a client mostly interested in stage clothes than every day (like the heavily embroidered cuffs and collar on a male shirt or the long almost transparent sleeveless knit top shown on male models but being on the women's rack in the atelier). I absolutely adore the shorts and I definitely would have gotten one if I had the time to do the fittings (the prices are really good and very very very affordable). I promised myself I will get something from the next winter collection instead.



Dimitris told me he is working a lot with couples getting married. I loved the idea of a bride and groom getting something made for them in the atelier by Dimitris and recommend it wholeheartedly. Plus it will be something you will surely want to wear again and again and not let it hidden in the back of the closet.



I must also point out that the accessories are designed by Dimitris as well: brilliant belts and gorgeous bags were there, in matching colours to the clothing, while he told me of his bespoke service too. There are two bag designs in two sizes each, where a client can pick the colours she wants for it from a palette and it will be made for her in two weeks. This service is also available in Thessaloniki, at the boutique of Anna Kapsali, Stylefax at 19 Proxnou Koromila St.



After checking out all the clothes of the summer (and last winter's too) collection, it was unfortunately time to go. I promised my self to visit again when in Athens, and said goodbye to Dimitris, wishing him all the best - he really deserves it. If you find yourself in Athens, go and check the clothes - I bet you will not be able to resist getting a piece of the collection. And it is a keeper. Promise.



Photographer :Yiorgos Kaplanidis
Fashion editor: Manos Jojos
Make up artist: Christina Agatha
Hair stylist: Dimitris Sarantou
Models:Idan - vn models, Kelvin - d models
Graphic Design : Angelo Pantelidis.

A few words about the show (which took place ten days before Easter, in April) at Thision theatre, with about 150 special guests, due to the size f the venue (Dimitris always shows his collections during their proper season and not earlier as the clothes are made to measure and there is no sense in making them 6 months before). The show started with a dance, choreographed by Apostolia Papadamaki and performed by Ioannis Emmanouilidis and Maria Lambropoulou, dressed of course in Dimitris' clothes, bringing to life the painting by Michael Tsakounti, made especially for the collection and featured on the invitation cover (designed by Aggelos Pantelidis). Then the proper fashion show began with 30 models parading like an army of modern reapers, with music by Amateur Boyz and video art by Thanassis Tsimbinis. 
The make-up was done by the talented make up artist Yiannis Marketakis with MAX FACTOR products. Hair was designed by Dimitris Sarantou and fashion direction by Manos Jojos.
Sofia Alexiadou took care of lighting (alluding to summer light) while the twin 2D gave a sense of a field of wheat on stage under the direction of scenographer George Asimakopoulos. The art direction was by George Nanouris. And of course Margarita Gourgourini was helping organize the whole thing. So much talent together! 

Friday, January 21, 2011

Tetragon brochure in Russian

My first real brochure design for Tetragon is one in Russian, made to be distributed in an exhibition in Moscow. It is a fourfold and was printed in 200 gr velvet paper. 


Tuesday, December 14, 2010

Dictatorship 1967-1974: the print resistance


The exhibition of documents titled "Dictatorship 1967-1974: the print resistance", organized by the Cultural Foundation of Journalists' Union of Macedonia and Thrace Daily Newspapers  is being transferred to Athens. In collaboration with the National Bank of Greece Cultural Foundation (ΜΙΕΤ) the more than 120 publications printed during the Junta period and circulated in illegal or nearly so circumstances, within Greece and abroad, along with the complete visual environment that was installed last year in  the Cultural Foundation of Journalists' Union of Macedonia and Thrace Daily Newspapers, will be hosted from the 16th of December 2010 until the 30th of January 2011 at  the National Bank of Greece Cultural Foundation - Eynard Mansion, in Athens (20 Agiou Konstantinou St.).


It is the first time such a big number of printed documents of anti-dictatorship action has been gathered in an effort to systematically document this material and representatively reflect its big dispersion geographically and the wide political spectrum they represent. 




 A volume of the same name as the exhibition will be published at the same time with it's opening. In it,  the Cultural Foundation of Journalists' Union of Macedonia and Thrace Daily Newspapers has gathered all the informational and visual material of the exhibition along with the minutes of the workshop organized last February with the same theme. 



The full list of the exhibition contributors and the archives from which the exhibits come from is as follows: 


Co-organized by

Organizing Committee ,
Christos Zaphiris, Ilias Koutsoukos, 
Dimitra Kehagia, Giannis Kotsifos, 

Scientific Editor - Texts
Vaggelis Karamanolakis (Historian, University of Athens)

Graphic Design 
Thanassis Georgiou

Overseer - Co-ordinator 
Christos Zaphiris

Museological and Museographical Design and Construction 
TETRAGON Ltd.:  Eleni Vretzaki

The documents and objects exhibited are from the archives and collections of the following organizations and persons:  
Archives of Contemporary Social History 
Company of Rescuing Historical Archives 1940-1974 Central And Western Macedonia 
Greek Literary Historical Archive 
Greek Parliament's Library 
Association of Imprisoned and Exiled Resistance Members 1967-1974
Company for Studyind the History of Left Youth 
Christos Zaphiris
Manolis Kandylakis
Vasileios Nikolitsios
Kostas Pyrzas


Photographed by Dinos Michail in 2009 at the first  exhibition in Thessaloniki.

Friday, December 10, 2010

To Lee, With Love, Nick





Credits

Direction: Nick Knight
Edit: Ruth Hogben
Performance: Ajak, Anais, Flaviana, Jeneil, Joan Smalls, Kinee, Quack, Rose, Sedene, Trissan
Music: Bjork
Styling: Edward Enninful
Hair: Martin Cullen
Make-Up: Inge Grognard
Manicure: Marian Newman
Director of Photography: Daniel Landin
Casting: Jess Hallett
Production: Gainsbury and Whiting
Production Design: Joseph Bennett

Thanks to VMI, Kinetic, Machine Shop, Kirby AFX, Pirate, Park Royal Studios, Souvenir and Simon Kenny

Special thanks to the team at Alexander McQueen and the British Fashion Council

Thursday, December 09, 2010

How the past inspires the future - Vogue and Asian models

Asian models are not a common occurence in US Vogue. We rarely see them in major editorials, let alone a cover. Yet the trend of more and more Asian beauties making their catwalk runs for many major fashion houses forced the magazine to dedicate a whole article to them, with Steven Meisel mimicking the famous Cecil Beaton photograph of Charles James gowns, this time using only Asian models and Oscar De La Renta being the couturier of choice.


The result is breathtaking, the models looking gorgeous despite the (unnecessary for me) faux Mohawks (American fashion editors still think a punk hairdo makes a layout edgy). I would have preferred having Julien d'Ys do some of his incredible pile ups on these girls. Or Thanos Samaras for that matter. Check the original photo below. Meisel may be very skilled but he missed the atmosphere completely, going instead for a very flat lighting. Gone are the masterful chiaroscuro effects and sculptural details of the Beaton shoot. Pity.

Wednesday, December 08, 2010

Thessaloniki Graphic Design 1980-2009


Click on the image to see the details of this extraordinary show 

For non-Greek speakers:
Tonight, at the Centre for Contemporary Art of Thessaloniki, Red Creative presents their book about Thessaloniki's graphic design history from 1980 - 2009, as a reminder of their 20 year anniversary. The event begins a 19.30

There will be a seminar dedicated to it on Saturday 11th of December, from 11:00-15:00 at the Centre. Speakers are Dr. of Typography and Graphic Communication Klimis Mastoridis, designer and typogrpher Aggelos Bakas and publisher Manolis Savvidis.

Tomorrow, 9th of December, a poster show accompanying the edition opens at the Centre, lasting only 4 days (closes on Sunday 12th of December). The show is curated by the Centre's director, Syrago Tsiara.

Wednesday, November 24, 2010

Why I think iPhone 4 is a major design failure

I am one of those who gush and oooh and aaah over most of the stuff Jonathan Ives designs for Apple. I already own an iPhone 3G and work in an office full of various Mac computers (from Power G5 to all shorts of iMacs to a MacBook Pro). But the current iPhone never did it for me. From the beginning, seeing the leaked device, up to now that I have handled the device, played with it, talked with many users and read a lot about it, I still don't like it.


First of all the design of the first three iPhones (2S, 3G, 3GS) was brilliant. Curvy, thin, elegant, different than anything else in the market. And they still look different than all other smart-phones out there. Instantly recognizable. Easy to hold. The feel of that backside curve in your palm is absolute perfection. Than the flat design for iPhone 4 comes along, with its beveled corners. Just like all the rest of the competition. Gone is the curve that made it so nice to hold.





Glass - back and front. Great idea, aesthetically perfect. But why make a device that is supposed to be handled a bit rough, one that usually lies on the back side, have glass there too? How ergonomic is that? How many fingerprints can one handle? (On the plus side, it does make for easier protective membrane application. But still). And the metal edge all around to hold that glass into place (among other things)? I don't need an iMac in my pocket, I have it on my desktop, thank you very much.


After many months, apple finally had to remove all traces of a white iPhone from their website. They cannot manufacture it because the white back surface with the glass diffuses the flash light of the camera so it ruins the photos you take (or try to). How can a big company such as this, with an incredible industrial design record, announce a product, much less take pre-orders for it, before testing it to see if it works properly? Latest news do seem to indicate it might be released next year. We'll have to wait and see.


I would be interested to find out your thoughts about this, so please feel free to add them in the comments.

Tuesday, November 02, 2010

Vinyl cut out clocks by Pavel Sidorenko


Last night I was at a small bar in my hometown listening to a friend DJ (Narita playing a great DJ gig as usual), when I spotted a clock made from an old vinyl record on the wall next to the DJ booth. I immediately thought that it was a great idea for a DJ gift but poorly executed (i.e. how about making clock hands like record player arms instead?) . Today, thanks to a Design Sponge post about Pavel Sidorenko, I found out how much better this idea can become.


Pavel Sidorenko is an Estonian designer, born in 1980 in Tallinn. He studied industrial design at the Estonian Academy of Arts, graduating in 2006. His aim is to create functional and playful products that retain their simplicity, interacting with the space and the user, creating not only incorporate pragmatic necessity, but also transmitting an emotional quality within the everyday environment. he received the 1st prize in the Massimo Martini Design Awards, in Milan's Macef show while his latest exhibition participation was in this year's Ambiente show in Frankfurt, as part of the EDL stand.


The clocks are made by laser-cutting the old vinyl records in various shapes. It is a fun idea, reminding me a lot of paper-cutting stuff other people do - the choice of material here is key and fresh. I would not mind having one of these on my wall!




© Pavel Sidorenko

Saturday, October 23, 2010

Dimitris Petrou - How to wear ice grey



Dimitris Petrou is a young and very talented Greek fashion designer. A few days ago he opened his showroom in Athens, at 23 Kanari St. in Kolonaki, where most Greek fashion houses are located and has a multitude of big-name designer boutiques from all over the world. He launched the showroom with a fashion show where he showed his winter 2010-2011 collection, called "Sur Mesure" (made to measure) for women and men. The photographs accompanying this post are from this collection.



His designs are all in ice grey, a totally monochromatic collection, toying with how the colour looks in different fabrics and textures. The results are spectacular. The way he plays with fabric is incredible, either in the way he cuts the clothes or the way he treats fabric, cutting it into small pieces which then he sews back together or cutting patterns with holes into the fabric to make a futuristic lace effect. And every woman outfit in the collection has it's male counterpart - although I would not suggest matching dressing up for a couple - avoid at all costs!



Every piece in this collection can be ordered sur mesure from his atelier - so it's like getting a couture piece for you in a fraction of the price. So go to the atelier and get yourself a piece of this collection. It's worth it.



Photos : Yiorgos Kaplanidis
Fashion Direction : Manos Jojos
Creative Supervisor :Antonis Kozakidis
Hair : Dimitris Sarantou
Make Up : MAC
Models : Rossana , Panayiotis  at VN Models



Video Art - Director: Tina Sardelas
Hair : George Marascas
Make-up : Tzeni Toumazatou
Models : Haley , Christos at VN Models
Creative Supervision : Antonis Kozakidis
Styling Advisor : Manos Jojos

Friday, October 22, 2010

Afu Custom Furniture


 The Afu shop in Kolonaki, Athens


Knot series


Dimitris Tsigos is a very talented Greek architect. His latest venture is Afu Custom Furniture and he send us a letter for it:

In our latest enterprise, our objective
was to introduce to the public the results of our ongoing research in
the fields of advanced geometries and modern CAD/CAM methodologies.


Therefore we have opened up a concept store in Athens, Greece where we exhibit furniture pieces and objects designed by us.


To get a better idea of the concept and see all the designs, we are glad to present you with the following options:


1) Visit the afu store!


8 Haritos St. Kolonaki
Athens, Greece, 10675


2) Visit the afu website:


www.afu.gr


3) Visit the afu facebook page, by clicking on the link.


For all comments – enquiries please don’t hesitate to contact us:


info@afu.gr
T +30 210 7210148


Best regards,


Dimitrios Tsigos
Chief designer

Another Afu shop view

 The finished products look incredible - Usus series

Tractus series in the shop

 Fluctus series