Showing posts with label Harper's Bazaar. Show all posts
Showing posts with label Harper's Bazaar. Show all posts

Wednesday, October 07, 2009

Irving Penn: a legend passes away at 92

Top models in 1947
Irving Penn. One of the most prolific and recognized photographers of the 20th century, with an elegant, minimal and defined style, died today at age 92. His art, much sought after by museums and photography lovers the world over will live on. Born on June 16th, 1917, in Plainfield, N. J., to Harry, a watchmaker and Sonia, a nurse. Studying at the Pennsylvania Museum School of Industrial Art, (now the University of the Arts), from 1934 to 1938, Penn studied drawing, painting and graphic and industrial design. he had as a teacher the designer Alexey Brodovitch, a Russian émigré from Paris, familiar with avant-guard European art and design. Mr. Brodovitch worked in New York City for Harper’s Bazaar at the time and travelled to Philadelphia on Saturdays to meet with his students and to evaluate their work. Penn’s graphic talent impressed Mr. Brodovitch, and he chose him to be his unpaid assistant at Bazaar during the summers of 1937 and 1938.

Irving Penn in the 1960's

Lisa Fonssagrives-Penn

Although trained as a painter and designer, he dedicated himself and his talent to photography. Penn started at Harper's Bazaar under Alexey Brodovich after he finished his studies. But in 1943 he began with Vogue what would become the longest running collaboration of a magazine with a photographer, under Alexander Lieberman. Starting out as his assistant, he was supervising the design of the magazine's covers. And when he found out no staff photographer would shoot what he suggested, he did it himself, under Lieberman's suggestions. His first shooting was a colour still-life photograph of a glove, belt and pocketbook, which became the cover of 1943's October issue. His photographs would grace more than 150 Vogue covers over the next 50 years.

Penn's first Vogue cover, Oct. 1st 1943


Lisa Fonssagrives-Penn

Although fashion is constantly changing, it's image a blur from season to season, Penn's style was constant, timeless, his photographs instantly recognizable from the 1940s up until the early 21st century. It is most rewarding to see how fashion changes throughout the decades through his photographs, clothes, designers, models, come and go, but Penn and his inimitable style is always there, transfixing the eye of the observer with it's brilliant use of geometry and lighting.

Linda Evangelista

Photo for a Vogue cover, April 1st 1950

His photographs were never spontaneous. Not for him the jumping, dancing models of Arthur Elgort, the exuberant leaping ladies of Richard Avedon, the decadent women of Guy Bourdin, the overtly sexy femmes of Helmut Newton. Instead his subjects, elegant and timeless, restrained but sensuous, poised with a geometric precision, look frozen for posterity as if you look at the Parthenon marbles.

Dancers

Audrey Marnay with Amidala's costume from Star Wars

Nicole Kidman

For Issey Miyake, a long and fruitful collaboration

He did not do only fashion photography of course. His subjects ranged from cultural figures like Truman Capote and Pablo Picasso to Peruvian peasants, Guinea tribesmen and incredible still lives: his wilted flowers, published in the December issue of Vogue for years, look incredibly like paintings. The compositions with food elements he photographed to illustrate the food column or the beauty abstract photographs in Vogue are works of art in their own.

Richard Avedon







Truman Capote

Christy Turlington

YSL


He had a long and happy marriage with his eternal muse, the model and sculptor Lisa Fonssagrives. They had a son together, Tom. With her, they defined the image of an era between the 1940's and 1950's. Slim, sophisticated and seemingly lofty, Lisa was a perfect match for him and his photos of her display an incredible aesthetic standard.




Always anxious to improve his photographs, he experimented constantly with their printing. He printed his own photographs and revived the platinum-palladium technique (instead of silver), which, although more time-consuming and costly, delivered great depth and luminosity, giving lovely velvety tones to the image and increasing its longevity. He will be sorely missed.


Kate Blanchett

To end this post, some photos of my muse, Christy Turlington, shot by Irving Penn through the years (all in Vogue magazine).





Monday, July 14, 2008

Tribute: Dorian Leigh, Fire and Ice queen of fashion


Dorian Leigh in Piguet evening dress, Ile St.-Louis, Paris, August 1949. Photograph Richard Avedon

It is becoming an annus horribilis for fashion... Dorian Leigh, one of the legends of fashion, died last week aged 91 in Falls Church, Virginia, USA. Her incredible beauty, with her brunette curled hair, her near perfect face, with blue eyes and almost always red lips, exuding class and style and her impeccably poised body helped her to forge an inimitable path through life, not only in modelling but in everything she put her hands into.

A Sam Shaw photograph


Dorian Leigh for Jean Patou, 1955

Born in San Antonio, Texas, in 1917, she was raised in New York, her father becoming rich by developing an etching acid. She attended Randolph-Macon Woman’s College in Lynchburg, Virginia, and then NYU, where she studied calculus; that got her a job working for the US Navy as a mechanical draughtswoman. She then went on to Eastern Aircraft Corporation, helping to design aircraft wings. She discovered that the job strained her eyes: leaving Eastern, she then took a job with Republic Pictures as an apprentice copywriter.

Dorian Leigh for Jacques Heim

Her modelling career began at the relatively late age of 27. She signed up at the Harry Conover Agency; the owner advised her to go immediately to Harper's Bazaar and tell the editor, Diana Vreeland, that she was only 19. Vreeland was captivated and instructed her never to touch her zig-zag eyebrows. I do not know if she ever believed the age thing - Dorian surely must have looked like a diva from early on. Nevertheless, the next day Dorian was photographed by Louise Dahl-Wolfe wearing a black tulle hat trimmed with a pink rose. She appeared on the cover of the June 1944 edition of Harper's Bazaar and the rest is history. Her father did not approve of modelling (what father did back then?)and insisted that she drop the name Parker. That is why she became famous as Dorian Leigh.

Dorian Leigh in a hat by Paulette, photographed in Paris, from Harper's Bazaar October 1949

Seven Vogue and more than 50 other magazine covers show how loved she was by photographers and stylists and designers. Back then, throughout the 40s and 50s, there were runway models and photography models: a model either did one or the other. Dorian was a photography model, her 5-feet 5-inch frame more than suitable for the exquisite couture of those years (just say the names out loud: Dior, Balenciaga, Fath, Patou, Chanel, James... makes me drool just thinking about them), resulting in great photographs. She was a muse for Avedon, Horst, Penn and Beaton (history of photography anyone?) . In the 50s, she was the signature Revlon Fire And Ice girl, promoting in every company ad the Fire and Ice colours, almost becoming synonymous with the brand. "For you who love to flirt with fire; who dare to skate on thin ice" was the slogan, with Avedon shooting the photographs.

The famous Fire And Ice Revlon ad - Mattel even made a Barbie dressed like her!

In his Photobiography book, published in 1951, Cecil Beaton writes that Dorian Leigh could convey "the sweetness of an 18th-century pastel, the allure of a Sargent portrait, or the poignancy of some unfortunate woman who sat for Modigliani". Richard Avedon said that she was the most versatile model, and the loveliest, that he had ever worked with. Truman Capote called her "Happy-Go-Lucky", and it is said (though many notable women claim the distinction) that she provided him with the character of Holly Golightly for "Breakfast At Tiffany's".

Vogue USA December 1949 cover by Irving Penn - inspired by fairy tales. Ray Bolger is Santa.

Her career lasted until the 60s, her younger sister Suzy Parker becoming her natural successor (Suzy also became a legendary model, even more than her sister). Then, Dorian Elisabeth Leigh Parker moved to Paris and opened a modelling agency, one of the first in Europe (it closed in 1972 because her then husband embezzled the money). She then retired from the fashion world and decided to occupy herself with another one of her loves: cooking.




Clockwise from top left:
Unidentified fashion photograph;
Dorian Leigh with bicycle racer, Dress by Dior, Champs-Elysees, Paris, August 1949 Richard Avedon; Unidentified portrait;
Coat by Dior, Paris, August 1949 Richard Avedon.

She opened a restaurant, Chez Dorian, near Fontainebleau and ran it for two years. At the same time she was teaching at the Paris American Academy and La Varenne cooking school. She moved back to New York in the late 1970s, intending to take over a modelling agency, but instead ended up creating and selling food through her catering business. She catered in the Washington area in 1988 with a business she called Fête Accomplis and returned to Paris in 1999.

Dorian in a 1952 shoot


Vogue 1946 --- Model Dorian Leigh wearing a pale pink cloche by Madame Reine and a plunge-necked rayon crepe dress from B.H.Wragge. Photographer John Rawlings - Image by © Condé Nast Archive/CORBIS

After a diagnosis of a brain tumour, she moved to Falls Church in 2005. In addition to her autobiography, "The Girl Who had Everything" (Doubleday, 1980), she also wrote "Pancakes: From Flapjacks to Crepes" (1988) and "Doughnuts: Over Three Dozen Crullers, Fritters and Other Treats" (1994). She married five times and is survived by her daughter Ms. Paciello, from her second marriage to Roger Mehle, a son from her first marriage, T. L. Hawkins; and a daughter from her marriage to Serge Bordat, Miranda Bordat; three grandchildren; and two step-grandchildren. A daughter from her marriage to Hawkins, Marsha Lynn Smith, died in the early 1990s. A son, Kim Blas Parker, from her liaison with the Spanish racing-car driver and athlete Alfonso Cabeza de Vaca, marquis of Portago, committed suicide in 1977 at 21.

Photo from family archives

Adieu, ma chérie...